New York

This exhibition presents a series of discrete installations by Aernout Mik (Dutch, b. 1962), placed in both non-gallery and gallery spaces throughout the Museum. Mik, whose work encompasses motion picture, sculpture, architecture, performance and social commentary, interrogates the nature of reality and subverts the traditional relationship between viewer and viewed.

This exhibition presents a series of discrete installations by Aernout Mik (Dutch, b. 1962), placed in both non-gallery and gallery spaces throughout the Museum. Mik, whose work encompasses motion picture, sculpture, architecture, performance and social commentary, interrogates the nature of reality and subverts the traditional relationship between viewer and viewed.

This exhibition presents a series of discrete installations by Aernout Mik (Dutch, b. 1962), placed in both non-gallery and gallery spaces throughout the Museum. Mik, whose work encompasses motion picture, sculpture, architecture, performance and social commentary, interrogates the nature of reality and subverts the traditional relationship between viewer and viewed.

This exhibition presents a series of discrete installations by Aernout Mik (Dutch, b. 1962), placed in both non-gallery and gallery spaces throughout the Museum. Mik, whose work encompasses motion picture, sculpture, architecture, performance and social commentary, interrogates the nature of reality and subverts the traditional relationship between viewer and viewed.

This exhibition presents a series of discrete installations by Aernout Mik (Dutch, b. 1962), placed in both non-gallery and gallery spaces throughout the Museum. Mik, whose work encompasses motion picture, sculpture, architecture, performance and social commentary, interrogates the nature of reality and subverts the traditional relationship between viewer and viewed.

This exhibition presents a series of discrete installations by Aernout Mik (Dutch, b. 1962), placed in both non-gallery and gallery spaces throughout the Museum. Mik, whose work encompasses motion picture, sculpture, architecture, performance and social commentary, interrogates the nature of reality and subverts the traditional relationship between viewer and viewed.